Located in Riba de Saelices, Guadalajara, the site sits on top of the highest hill of the surroundings, originally serving as a defensive point where the Arabs could have an advantage over their enemies. The project consisted of a modest architectural intervention that restored the semi-destroyed tower to its original volume. Rebuilding the stones back into their original position, the tower can be contemplated again as an object in the landscape.
"The drawings that were used to make the Temporary Museum (Lake) were made by chance. Not likeness or beauty is its key aspect, as in traditionalism; nor logic or ratio as in modernism; but rather ‘the possible’ in the sense of what is merely conceivable, the idea that all things can be perceived and conceived differently. Chance struck me as a way of making work that does not reference to anything specific. But the mind of the viewer, like my mind, wishes to see things in them, like in a Rorschach inkblot. Jumping between different visions the mind projects its own ideas on it. Each construction, each gesture is a new reality. So is the use of one of these drawings to make the temporary museum."