"The drawings that were used to make the Temporary Museum (Lake) were made by chance. Not likeness or beauty is its key aspect, as in traditionalism; nor logic or ratio as in modernism; but rather ‘the possible’ in the sense of what is merely conceivable, the idea that all things can be perceived and conceived differently. Chance struck me as a way of making work that does not reference to anything specific. But the mind of the viewer, like my mind, wishes to see things in them, like in a Rorschach inkblot. Jumping between different visions the mind projects its own ideas on it. Each construction, each gesture is a new reality. So is the use of one of these drawings to make the temporary museum."